I am a flower pot
Tumbling down the table,
I still shatter in your palms
As you try to catch me;
Now we’re both bleeding world’s sucking our tongues while the galaxies around us burst open into nothingness
My mouth is a sex fluttering like the butterfly in your belly
It crawls down your abdomen and leaves a word on your thigh
You discover it once the moon dies away
As the sun ties a knot with Alzheimer’s
There is no light to burn the tips of our desires
But did I ever tell you of the flames hidden in my heart, tucked away in between the day and night?
You come closer
I am the flower out-growing the pot,
I am the pot filling the flower – the singing that eats the lyrics and churns on dead instruments
You come closer
And I’m the shattering and a bloodshed
I’m the demise, in tangent sighs and maroon walls.
He sows, He reaps – He brushes past the instances of rolling buds and autumn heaps.
The misaligned creepers are set in line with the constellations and somehow, the ephemeral space makes it hard for them to breathe.
The Judgement day arrives in a pocketful of systematic hate until the garden becomes a miserable palace of weed.
He still sows – but there is no one to reap.
There are poets, here and there but He has built a wall of thorns that renders the seekers blind. Once their eyes start to bleed, the taste of their blood halts their spirit – it engulfs the hope of reaping the garden of faith.
I’ve been standing on the edge of this palace, they say yellow makes them happy but this palace of weed suffocates me – it also clings to my lungs, and calls itself my ‘Home’.
I lunge forward to blind myself, I really do but every single time I miss by a fraction of a sentence, a yawning poem stretching between my toes.
He sows – that awakened poem, that distracting sentence, that hopeful lunge / The Gardner has a season for every name, I wonder what mine is.
Rains/ a blackened sigh/ the ephemeral space/ the broken stars/ the melting clouds/ a stutter between the sunrise and the sunset – I’m an anomaly without a name.
I see, the uprooted garden and the enormous space. I breathe for the first time because I believe what I see. I believe what I seek.
The Gardner – that made me, you and the bellowing universe amidst a poetry of Creation, a scream of magnificence.
-Nameera Anjum Khan.
This poem takes inspiration from religion, particularly the depiction of God in the movie ‘The Shack’ which provides a brilliant and an optimistic insight into what kind of entity God really is. It also sheds light on how humans sometimes become the judge of events that they truly don’t understand. We become hopeless at the immediate sight of a bad circumstance, never once trying to grasp the meaning of divinity behind things.
I have a feeling that my eyes are too many faces looking down at the dusty pavement. But the skies were never made out of ribs, the seas never mastered the tides of my blood and the moon could never command the gravity of my heart.
This may look like a weak surrender upon a deaf glance but look again. It’s a wonder, not of virginity re-shaping itself or the veil of pregnancy blooming through nine seasons.
It is nine births, and more – all emerging from the point of no return. My head is all the colours of your rainbow touch. My skin is all the senses of your secret desire. My existence is all the questions you’re too afraid ask, let alone answer.
Sex. A fluttering of –
Sometimes, I see myself as the God. Sometimes, I see myself as the Creation. In both versions, I remain a sinner seeking heaven – an irony dodging misery only to write poems on it.
How do you see me?
Why do you see me?
You say that the sun is out tonight, I never knew untimely mornings, not face-to-face at least. I had heard of a happening that corrupts itself overtime. A sickness that spreads like creepers, everywhere. A tangible dignity swinging from the chandelier.
A woman and her birth – the untimely sunrise and the timely corruption.
Everything. Inebriated buds of truth. Nothing you’ve read before and everything you’ve read before; you die everyday just to see. How? Why?
Birth – the memory burns. When will it rain?
-Nameera Anjum Khan.
Who is a woman? What is your understanding of a woman? Womanhood is one of my absolute favourite topics to write about and when I stumbled upon this work of art, it invoked so many things inside of me. My mind and my heart was filled with all sorts of questions and answers. I hope you enjoy persuing this reflective piece, thanks for reading!
Kudos to the artist for this wondrous artwork that can captivate anyone’s attention effortlessly and not just that, but it seems to knock upon your conscience in multiple ways. Click on the caption underneath the painting to visit an enthralling gallery!
There are tides in my tongue that erase your name every time I trace it on the corners of my mouth
I create a vigour in my ribs that swirls in the tangerine buds of the laughing skies
My paper feet are cut in places that can never learn to sleep,
I eat this canvas until I’m the piece of art
But I’m deranged in places that don’t exist loud enough
Bit by bit
Until the flesh is a bare secret-
It’s your story but you keep peeling it away,
Look at you now – a subsumed flame in a nest of rage, a holy prayer covered in filth and harbouring a look that says more than actions do;
You’re a ship in the sky, sailing away the gravity in hopes of falling on the ground.
You never do.
-Nameera Anjum Khan
Before this day ends, I decided to pen down a muse which was quite spontaneous, which speaks for itself I suppose :3
There was a potpourri of thoughts behind this one but the most particular one was – the description of a toxic relationship and the fear of conformity to truth. Sometimes, people lock themselves up in a cage because they fear getting hurt and in the process, they end up hurting others. It’s an interesting paradox to reflect upon but going through it is an entirely different phase.
Conclusively, I’d like to add that vulnerability is a very precious thing and if someone decides to take off their mask in front of you, you’re not under an obligation to reciprocate the same. You must take your time but through means that don’t end up hurting others.
My senses are always in consonance with the way time flicks my insides. A heavy summer crucifies my tongue inside a nightmare that I keep wanting more and more. They say pain is an addiction and this day has been everything but that – an addiction sucking me knee-deep. It unfurls on my neck like a morning breath rising anew, like the birds fluttering inside a jar of mishaps. You shake it, until there are enough cracks for you to get in – enough space for your word to mingle with mine.
I think of all the pages dying every night in the grave of your spit. The way this world wraps itself under your skin and inside my fingernails – is a fable residing in the very vacancies of our hearts. Do you know about a ‘Wanting’ that ‘Needs’? It often dawns upon me when your scent travels down my spine. Chills.
This heavy summer is but a monsoon under my eyelids, stretching beyond mortal lines. I want to make the most of it with a hand that can trace all these poems and own them, need them. Need me.
And to my mother’s ears, it’s ‘Blasphemy’. I wonder what’s more suffocating, the fact that I am Naked and a mere reflection of her or the fact that she’s had her eyes closed this whole time?
The society is the most illusionary mirror to ever exist. It shows you what you desire, but at the cost of negligence to your own needs. But here’s the catch, it only ‘Shows’ you this understanding that you possess. One single deviation can render you hopeless and so, the question remains; How much do you actually understand about yourself and this so-called ‘Society’?
You see, you’ve got to choose between the two. I choose to strip off of my regularities and give in to this maze of infidelity, I coincide with complicated minds and irrepressive hearts. I’m swinging through the gallant aspirations over to a newer side of things. It’s like a constant dalliance with the impossible heights.
I see my home right here, not up there when I say ‘Heights’. I see it on this ground and between these people. I want to run away sometimes, yes. But I think this distorted mirror has its own gravity that pulls you in, helplessly.
‘Naked’ – Blasphemy? I think freedom is but an unfiltered mind, a careless yet considerate human. When you choose a path of irregularities – it’s neither a garden nor a parched land that have been walked before, it’s a whole new world where you might even fly, who knows where possibilities end, right?
But without taking off those hideous reflections that you’ve been borrowing over the years, how can you expect to let your wings breathe?
On this day, I want to celebrate trust, dependency and sensitivity.
It’s a blessing to be able to rely on friends and family. As a woman, I’ve seen a considerable level of criticism/unwanted suggestions coming my way because of my choices in life. However, these pricking truths are not the only facet to my life. It is also true that I’m blessed with amazing people that I can trust. And over the years, one biggest life lesson that I’ve learnt is the importance of sensitivity & vulnerability. They have their own beauty, their own poetry to convey.
People will always condition women to grow through such tough phases that independence becomes their sole aim. But I beg to differ. Independence is not JUST about handling your own finances, traveling solo, being able to take your own decisions or wearing clothes of your choice. Have you ever thought about dependency with a straight mind?
I do not mean to convey anything negative by this. What I’m trying to say is that maybe dependence doesn’t really have to be looked down upon so passionately. Maybe there’s a truth to it we aren’t taught to acknowledge. Maybe our society has upheld stupid convictions for so long, that some words just sound absurd. But this doesn’t have to stop us from defining their meanings in our own terms, right?
My mother always tells me that Allah says, it’s wrong to blame time – as in – how people say that this era (referring to time) was better than the one we live in today. So, next time if somebody says ke hamare zamane mai aisa kuch nahi hota tha, then remind them that people have always found a way to do whatever the hell they want to. Good and bad people have existed since the beginning of Creation. Things have happened exactly the way they do now, except that the means of doing them were different.
And just because today is different, it doesn’t have to be wrong. You can still trust people, if you’ve been betrayed before. Give those who are really trying their best a Chance. You can still be an independent woman, a happy woman, a vulnerable woman, an ambitious woman, a hopeful woman, and a woman who depends on her family and friends & reciprocates their love.