creative writing – Nameera Ever After

Pain (#15)

Before I lose any more time

Here is a sight that would not lose you amidst a crowded loneliness

Because it sees you, beyond the clouds covering your haunted visage

It’s the beating of a heart going berserk

Each minute is a dreadful wailing of an infant dragging its frail body as fast as it can

Each second is a woman screaming at her face in the mirror, she doesn’t recognise the other one – why is she disappearing?

I want to see, I thought I did but it was only wishful thinking

I only sought your pain to dab my ink in something different, thinking that it would help me make a difference –

And now my pages have become tales of darkness that had nothing to do with me

My vision has become the periphery to a loneliness I thought I could erase,

Because pain comes with a filthy shell that only morphs into an addiction upon peeling through the layers;

Thus, I erase my words to make space for your yours – I ignite my dark nights to revel in yours.

Pain makes for the most beautiful conversations, and even more meaningful connections – like a poem that writes itself without even needing your consent, your voice or your ink. It simply breathes in its way, in its own space.

-Nameera Anjum Khan

Demise (#15)

I am a flower pot
Tumbling down the table,
I still shatter in your palms
As you try to catch me;
Now we’re both bleeding world’s sucking our tongues while the galaxies around us burst open into nothingness

My mouth is a sex fluttering like the butterfly in your belly
It crawls down your abdomen and leaves a word on your thigh
You discover it once the moon dies away
As the sun ties a knot with Alzheimer’s

There is no light to burn the tips of our desires
But did I ever tell you of the flames hidden in my heart, tucked away in between the day and night?

You come closer
I am the flower out-growing the pot,
I am the pot filling the flower – the singing that eats the lyrics and churns on dead instruments

You come closer
And I’m the shattering and a bloodshed
I’m the demise, in tangent sighs and maroon walls.

-Nameera Anjum Khan

Lovers (#12)

We share the sins that bind us. The tip of my tongue is the sun melting in your eyes. You see it clearly, you let it burn your throat while coughing lava on the plain white walls.

The water flows upward, the rains have been blossoming in the Heavens this season. My hands remember your touch, my ink retraces your sighs. Each letter encompasses the soul of your essence.

My tears recite your name. Over and over again, it’s like a rhythm that sounds anew each time it licks my ears. I want this song to remember us, to remember the way these sins bind us.

The way lover’s love, and never stop. I want my existence to reverberate yours, I want my heart to kiss your palms – and stay within, enclosed in the flesh that beats like home.

We share the sins that bind us, only to taste the glory of vulnerability, truth and discomfort – only to love a little longer than forever, a little faster than time.

Only to love a little larger than the space; only to love like a Prayer made in piety – to love like a poem that lives in our eyes, lips and hands.

It lives in the letters of our bodies, it grows in the shadow of our heat.

It’s insanity – to be so full of life/ blueberry sighs/ burning glass frames/ my image is complete/ your lullaby in my lap/ our home – a breathing cloud of ashes that outshine rainbows, a giggle of an orange peel/ bittersweet pages/ all written in consonance with hope/ heaven/ relief.

-Nameera Anjum Khan.

The Gardner

He sows, He reaps – He brushes past the instances of rolling buds and autumn heaps.

The misaligned creepers are set in line with the constellations and somehow, the ephemeral space makes it hard for them to breathe.

The Judgement day arrives in a pocketful of systematic hate until the garden becomes a miserable palace of weed.

He still sows – but there is no one to reap.

There are poets, here and there but He has built a wall of thorns that renders the seekers blind. Once their eyes start to bleed, the taste of their blood halts their spirit – it engulfs the hope of reaping the garden of faith.

I’ve been standing on the edge of this palace, they say yellow makes them happy but this palace of weed suffocates me – it also clings to my lungs, and calls itself my ‘Home’.

I lunge forward to blind myself, I really do but every single time I miss by a fraction of a sentence, a yawning poem stretching between my toes.

He sows – that awakened poem, that distracting sentence, that hopeful lunge / The Gardner has a season for every name, I wonder what mine is.

Rains/ a blackened sigh/ the ephemeral space/ the broken stars/ the melting clouds/ a stutter between the sunrise and the sunset – I’m an anomaly without a name.

I see, the uprooted garden and the enormous space. I breathe for the first time because I believe what I see. I believe what I seek.

The Gardner – that made me, you and the bellowing universe amidst a poetry of Creation, a scream of magnificence.

-Nameera Anjum Khan.

This poem takes inspiration from religion, particularly the depiction of God in the movie ‘The Shack’ which provides a brilliant and an optimistic insight into what kind of entity God really is. It also sheds light on how humans sometimes become the judge of events that they truly don’t understand. We become hopeless at the immediate sight of a bad circumstance, never once trying to grasp the meaning of divinity behind things.

A Heavy Summer (#3)

My senses are always in consonance with the way time flicks my insides. A heavy summer crucifies my tongue inside a nightmare that I keep wanting more and more. They say pain is an addiction and this day has been everything but that – an addiction sucking me knee-deep. It unfurls on my neck like a morning breath rising anew, like the birds fluttering inside a jar of mishaps. You shake it, until there are enough cracks for you to get in – enough space for your word to mingle with mine.

I think of all the pages dying every night in the grave of your spit. The way this world wraps itself under your skin and inside my fingernails – is a fable residing in the very vacancies of our hearts. Do you know about a ‘Wanting’ that ‘Needs’? It often dawns upon me when your scent travels down my spine. Chills.

This heavy summer is but a monsoon under my eyelids, stretching beyond mortal lines. I want to make the most of it with a hand that can trace all these poems and own them, need them. Need me.

-Nameera Anjum Khan

The Language of Words (#2)

Descent to the Mediterranean by Vladimir Kush

My hands were tied to a pole and I couldn’t speak

You see, the only way I could speak was through a language I hadn’t yet deciphered

My days went on, in a shell of thoughts

When out there, was an ocean waiting to devour me

People often stood long enough by the pole – long enough to let the streetlight lick their sins away

Until one of them untied me accidentally

And I traversed within after he ran away, so deep within that I didn’t even know that there was a path underneath my feet

People often talk about the ground slipping from under their feet, but have you ever felt it slipping right back?

I did

And so did the words itching the insides of my body

And the poems begging to crawl into the ocean

And so, I wrote – never stopping once, never looking back at the pole and those delicate strings of a self-made prison;

I took the path not meant for me, but the one I had been meaning to take anyway.

-Nameera Anjum Khan

Day 2 prompt was inspired by the famous and much loved compose by Robert Frost, The Road Not Taken. It took me back to a time when I was still a novice at writing and didn’t exactly measure its importance in my life. Years later, I can proudly say that the person I am today is because of the choices I made, despite the paths that lay ahead of me.

I’ve been confused and lonely at times, but I always made sure that whatever it is that I do, my heart and my soul is in agreement at the end of the day.

Following your heart is easier said than done, especially in a world that’s always out there to complicate things.

The Man who Ate the Universe (#1)

Key to the World - Vladimir Kush — Key to the World – Vladimir Kush

There is a shallow sinking unfurling inside my bosom

My eyes smell like a lie perched in a lonesome nest

He says that there’s a lot to live for but when I look at the sky, it feels like for a moment; it’d rather freefall into my ribs

Why is vastness so daunting?

A bloody lip, a bloody elbow

I’ve been angry at the walls and my skin, I’ve been angry at my body and I punish it every time a shard from the past’s mirror becomes the only way for me to see myself

There are hands that don’t belong to me,

And colours that seep into my cuticles without meaning to…

A yellow moonlight fades upon my tongue, it’s a rustic desire biting me down

A man comes to me, he says the world is in his pocket – among other things,

I tell him that I want the universe – everything out there and within,

I never see him again. Some days when the sun is in an inexplicable hurry and the stars whisper in secrecy; I hear them talk of a man who ate the universe and now he’s out there – and within

I look down at my empty palms holding on to nothing but a blackness that has no shade, a hope that has no name.

-Nameera Anjum Khan

This is my very first entry for the Napowrimo Based on the prompt ‘Sun Ra and his Arkestra (Animated Version)‘. I’m planning on spending this whole month here, away from the chaos in my original world of Poetry as I juggle between my passion and academics. Here’s to a consistent beginning!

Thank you for your time, if you want you can check out the daily Prompts too and give them a try.

P.S

I came across the prompt while reading ‘The Sun Queen’ – a Beautifully crafted poem by Rahul Gaur. Thanks for the inspiration! (:

In the Shadows of a page

Do you ever wonder what you look like in someone else’s poem? Is it some made-up version or reflects who you truly are?

If you ever want to know yourself better, read yourself through someone else’s letters and poems. It may seem as though you’re reading about a stranger but if it doesn’t, then you know that you belong there. In that moment of creation, your spirit was complete.

What you hold in your hand is a page, only momentarily. Soon it morphs into endless dreaming and hopeful possibilities.

It becomes a page that is no more that – but something that lives, it is not a thing anymore; but something that breathes you.

-Nameera Anjum Khan

Naked

‘Naked’

And to my mother’s ears, it’s ‘Blasphemy’. I wonder what’s more suffocating, the fact that I am Naked and a mere reflection of her or the fact that she’s had her eyes closed this whole time?

The society is the most illusionary mirror to ever exist. It shows you what you desire, but at the cost of negligence to your own needs. But here’s the catch, it only ‘Shows’ you this understanding that you possess. One single deviation can render you hopeless and so, the question remains; How much do you actually understand about yourself and this so-called ‘Society’?

You see, you’ve got to choose between the two. I choose to strip off of my regularities and give in to this maze of infidelity, I coincide with complicated minds and irrepressive hearts. I’m swinging through the gallant aspirations over to a newer side of things. It’s like a constant dalliance with the impossible heights.

I see my home right here, not up there when I say ‘Heights’. I see it on this ground and between these people. I want to run away sometimes, yes. But I think this distorted mirror has its own gravity that pulls you in, helplessly.

‘Naked’ – Blasphemy? I think freedom is but an unfiltered mind, a careless yet considerate human. When you choose a path of irregularities – it’s neither a garden nor a parched land that have been walked before, it’s a whole new world where you might even fly, who knows where possibilities end, right?

But without taking off those hideous reflections that you’ve been borrowing over the years, how can you expect to let your wings breathe?

-Nameera Anjum Khan

Fantasies & Fiction

There’s a fantasy, at the surface of my spine

It flutters into your arms like a Gothic Romance choking on its own saliva

I spill the rainbows that you planted in my bladder ~ an acid leaves my body crawling on all fours,

There’s a lullaby growing in my belly & with every kiss, you extract a note from it until every syllable is infused with your name

A name this territory knows all too well, a fantasy that speaks my name like it’s the only poetry that matters; the only fiction worth realization.

-Nameera Anjum Khan